Monday, January 20, 2014

Missing: The African American Family on Sitcom Television


            As you flick through the many television stations or channel surf during the commercial breaks of your favorite television shows you may notice that something or someone is missing.   Primetime televsion has not lost any of the anticipated evening hype long since the days of Bewitched, Gilligan’s Island, and Mash, but it has lost something.  Televsion has come far in the last 60 years, but it has also taken large strides backwards.  African Americans are only 13.1% [3] of the US population, but now play an even smaller role in prime time television programming. African American sitcoms have been in existence since the early days of network sitcom programming rising to prominence in the 1990’s, but recently the major networks have been under fire for failing to portray racial diversity of real world settings.  There is an absence of the African American family in major network primetime programming without any reason or justification given by the major networks. 

            Some television executives may argue the fact that the reason for the lack of African American sitcoms is because it is hard to portray the typical African American family. Other critics may see these shows as “black” sitcoms losing the show’s mass appeal to white America. Regardless of some opinions there are no African American sitcoms on any of the major networks (NBC, ABC, CBS, and FOX).   Are these opinions and beliefs true?  Are these sitcoms too stereotypical?  When you watch “The Big Bang Theory” do you think to yourself that you are watching a “white” sitcom? When you tune into “The Game” on cable’s BET network do you feel like you are watching a “black” sitcom? African American sitcoms used to be about African Americans being people, but as of lately they are about African Americans being African Americans.  Nowadays African American television shows have almost become so stereotypical that even some blacks do not watch some of these sitcoms.  On the flipside, some blacks see some of the African American sitcoms as too “white” of a sitcom missing the reality of the hard working middle class black family.  Either way you look at it writers are having a tough time creating a realistic African American family sitcom and the major networks are not even considering the their options.  Sitcoms like “The Bernie Mac Show” and “My Wife and Kids” were the last sitcoms to air on the major networks with some success; which was over five years ago.

            Cable channels do offer a small selection of African American sitcoms, but only one appeared on any of the major networks this year. “The Cleveland Show” appeared on FOX, which was a cartoon and canceled in May of this year. [2] You can find a few African American sitcoms on cable channels like BET, TV One, and Centric, but without the backing and promotion that the major networks have these shows go unnoticed at times and often add to the debate of being too stereotypical.  This is how a show like Tyler Perry’s “House of Payne” surpasses “The Jeffersons”[4] and becomes the longest running African American sitcom in US history, but no one can name any actors from the show

            While African Americans are losing their star power in sitcom television “Reality” television is steering television in a totally different direction.  With the uprising of reality television, sitcoms are on the decline and African Americans are finding even slimmer opportunities for sitcom stardom.  In the last decade television sitcoms have been in decline when compared to prior decades making the sitcom itself less attractive to television executives.  Reality television shows have increased to 57% of all television shows [3] ultimately lending a helping hand in taking away from some of the already scarce opportunities for the African American sitcom.   However, as of recently the sitcom is making its way back to primetime programming with shows like “How I Met Your Mother”, “Modern Family” and “The Big Bang Theory” leading the way.  Now is the time for the grand return of the sitcom…subject to blackout. 

With the recent popularity of sitcoms, the lack of the African American sitcom is still evident in the schedule last fall for the major networks.  Last summer, TV Guide previewed forty-five new shows premiering on the major networks and while blacks have found a few roles on these shows there was not one African American sitcom listed.  While African Americans are becoming familiar with the term “always a bridesmaid, never a bride” when referencing themselves in sitcoms other minorities such as women and gays both have sitcoms either currently running on television or soon to premiere. Whether you are a woman, a Latino, an African American, or gay you are a minority and that means that you are a part of a population differing from others in some characteristics and often subjected to differential treatment.  However, at a time when our President is African American and blacks feel more liberated than ever why is there less African American sitcoms on the major networks than there was during the Jim Crow era.

Money.  Money is typically always found at the root of all evil.  As the major networks chase the younger viewers for their uninhibited spending these viewers become more and more attractive to advertisers who behind the curtains run the show for networks.  Rosa Parks may have fought for the right to not have to sit in the back of the bus, but African Americans are taking a back seat in major network programming.  Network executives are chasing the money and following the demographic it leads to thus making primetime television whiter and mainstream even as the minority is slowly becoming the majority. 

            As the struggle continues for African Americans on and off the screen the issue of “What killed the black sitcom” is relevant and this issue of scarcity of African American family sitcoms on the major networks has been receiving attention from multiple Civil Rights groups including the NAACP.  Nevertheless, before we pull the plug on the African American sitcom Brande Victorian, writer for Madame Noire, in a 2012 article titled “Can We Ever Get The Black Family Sitcom Back” says it best:

By no means should we give up on putting together strong representations of black families in sitcoms today, but they need to be contemporary and they need to come out from under the shadow of “The Cosby Show,” “The Jeffersons,” “What’s Happening,” and “Good Times.” Those shows were genius because they spoke to their era, we need to do the same in 2012. We can prove that two parent homes exist, we can show that blended families don’t have to mean mess custody battles and unpaid child support, we can show that black families adopt. There are a lot of modern positive examples of black life, what we need are innovative writers and producers who can paint that picture in a way that’s relatable and inspirational.






References
           
1.  Anhoward.wordpress.com/the-effect-reality-tv-is-having-on-us-shocking-statistics.  Retrieved June 5, 2013.

2.  Hinckley, David (May 13, 2013). "Fox announces 2013-14 fall schedule, which includes return of Kiefer Sutherland's '24'". NY Daily News. Retrieved June 9, 2013.

3.  Quickfacts.census.gov/qfd/states/00000.html Last revised, June 6, 2013.  Retrieved June 7, 2103.

4.  Top 40 longest-running black sitcoms. Last revised June 20, 2013.  Retrieved June 21, 2013, from http://en.wikipedia.org/wiki/Black_sitcom#Top_40_longest-running_black_sitcoms

5.  Victorian, B. (2012).  Can we ever get the black family sitcom back?  Madame Noire.  Retrieved June 23, 2013, from http://madamenoire.com/172103/can-we-ever-get-the-black-family-sitcom-back/

Sunday, January 12, 2014

“It’s legal…isn’t it?”



I sat down recently and researched legal issues that have impacted the music industry.  The reason I did this was not because I want to be an attorney, but instead I did this for the simple reason that when planning your business you have to be aware of how to protect your business.

During my research I found countless cases that dealt with copyright.  Issues dealing with copyright have to be the most frequent of all legal issues pertaining to the music industry.  I read an interesting article [1] in which a Florida-based rap duo recorded an instrumental beat that was then shopped around to other artists in the industry.  The beat was offered to a fellow rapper who they had actually opened up for.  At that time, the artist was then signed to Universal Music, nothing was done with the song, and it was never paid for.  However, the song was leaked.  I found this particular case fascinating because the rap duo that originally recorded the beat never received any form of payment for the song and then was shutdown by Universal Music Group when the company pulled the duo’s version of the song off of YouTube.  How does that even happen?  Read the link below for more information on this legal controversy.

As I mentioned earlier, I did find numerous cases that dealt with copyright issues; however, I did find a case where an artist was being sued over contract issues.  We typically hear of horrid scenarios where the artist is being hoodwinked and taken advantage of. These scenarios usually end with someone else making huge amounts of money due to the artist’s success.  Last month, I wrote an article titled “Just Sign Here” that speaks more in detail about this topic.  In this particular case [2], French Montana is being sued by his manager for scheduling several concerts without her knowledge or consent. With her management fee being the agreed upon 20%, she is suing for what she believes is owed to her. 

Another recent legal controversy I found was where a concertgoer sued rap artists Three 6 Mafia [3].  This incident was a few years ago, but it was local so it gained my attention and it also showed how artists are exposed to all types of liabilities.  In the case of Three 6 Mafia, the concertgoer claimed that he was severely beaten while the rap group performed their song “Let’s Start A Riot”.  I am not sure of the outcome of this lawsuit, but it is another example of how good things can go wrong quickly. 

What I learned from my research is that you cannot leave yourself susceptible to actions that can take away from what you worked so hard for.  I suggest that you take some time of your own and research the industry.  See for yourself or learn the hard way.  I cannot stress the importance of having ownership of your brand and material.  Furthermore, get an attorney.  Let’s be real, the majority of us are not lawyers so please surround yourself with a strong support team that can handle the issues that you cannot.  As much as I love singing in the shower, I would never get on a stage and sing in front of an audience.  Know your role and the role of those that surround you.  When there is trouble, be aware of who is in your huddle.



References
3. http://www.accesshollywood.com/three-6-mafia-lawsuit-settled_article_2920