Sunday, February 23, 2014

They're not ready.



For many artists the struggle is real.  Just when things seem promising, the gift looks more like a curse.  The road less traveled is a journey.  There are many hardships along this road, but there is also a light so bright at the end of the road that you have to wear sunglasses as you approach it.  One of the biggest problems about this road that I am finding is that it becomes even harder to communicate to people where you are.  If you are an artist and reading this blog, have you ever tried to explain to others what is going on in your life and the person or people that you are speaking to are looking at you like you are speaking another language? 

I was born and raised in a small city in western Pennsylvania.  Hip-hop has been here in the community, but the area has yet to embrace it.  The talent is here, but the opened minds are not.  Sometimes I feel like this town is two decades behind the rest of the world, but as aspiring artists, you cannot let your area be the reason for your lack of success.  Twenty years ago, people thought hip-hop wouldn’t last and they were wrong.  It’s now a billion-dollar industry with 80 percent of the fan base being white.  Hip-hop is here and hip-hop is now.  It is more than music, it’s an art form and it is also a culture.

When I speak to aspiring artists and entrepreneurs I have found one common ingredient, belief.  Yes, the road less traveled is a road without a secure paycheck, but it can also be the same road to big dividends, job satisfaction, and overall happiness. 

I can’t speak for the area that you live in, but in my town we have a ton of youth that have a musical talent with no guidance or even a platform to showcase their talent.  What then happens is these kids put their passions on the back burner, because who wants to be discouraged or not taken seriously.  We have to encourage our youth and others who have dreams of being the next big thing.  Why not? 

Question: What is the difference between being ordinary and extraordinary?
Answer: Just a little extra. 

It is great for people to want to be kings and queens of their community, but honestly what is that going to do for you at the end of the day?  Go for it!  Leave the nest. Or…stay and try to be the trendsetter.  Some places just are not ready for change.  Some places don’t want to see the minority rule.  Some places want to get the youth involved, but don’t allow them to become engaged.  Some places are just that; some places.  Not every place is the same and not every mind is closed.  Do you, and I repeat, do not let your area be the reason for your lack of success.  So what is holding you back?  Most of the time it’s you.  They may not be ready, but the important thing is that you are.

Saturday, February 22, 2014

The Struggle is Real.



“It’s darkest before dawn.”  It’s only a matter of time.”  “This is my year.”  This is some of the things that aspiring artists say to themselves to gain motivation and more or less to keep themselves sane.  I mean seriously, how many flavors of Ramen noodles are there?  How many payment notices can I ignore before termination?  As an artist your creativity and passion has led you down a dark road.  A road full of wrong turns, rats, and so many forks in the road that would make you feel like you’re in a maze.   This folks, is the road less traveled. 

On this road the naysayers will come in numbers and their voices seem louder at times.  On this same road the peanut gallery travels and misery finds company.  The artist is a true believer with no factual strategies to success and every man with one eye trying to lead the blind.

Many times as an artist you feel like you are running a race that’s finish line seems to get further as it gets closer.   The music industry is a complex beast.  It’s trendy and at times too hip to hop, but who doesn’t like music.  That is like not liking food.  Music is food for the soul.  Have you ever heard a good song and got the chills? 

There comes a time when your confidence has to take over and that’s when you apply the “Side Rear View Mirror Theory”.  What this theory means is that you have to realize that things are closer than they actually appear.  This same theory is what gives artists drive, it demands dedication, and it gives artists the feeling that if they quit now, they’d only be quitting on themselves.

The road less traveled can sometimes feel like a rollercoaster, but the important thing is to enjoy the ride, because at the end of the day, nothing is guaranteed.  Just take a moment and ask yourself, “What motivates me?”

Saturday, February 1, 2014

Protect Ya Neck


True hip hop heads know that the title of this blog is paying homage to one of hip hop’s greatest groups, the Wu-Tang Clan.  Yet, this particular blog has little to nothing to do with that actual song and much more to do with protecting yourself.  When most of us look at the entertainment industry we see all the fame, fortune, glitz, and glamour, but in all reality, this is a dirty business; filled with crooks, thieves, shysters, and swindlers.  Aspiring artists spend countless hours honing their craft and pour their blood, sweat, and tears into trying to make a name for themselves within the industry known as the “show business”.  However, a major issue for most artists is that their business is not ready for the show and if you don’t know the business, then it will show and others will be hovering above like a vulture in the desert.

I constantly preach about “minding your own business”, because there are so many ways to leave yourself exposed in this business.  If you’re not ready for the fame and fortune, it will most definitely show.  Folks, here’s the thing.  The reason I try to stress the importance of knowing your business and having a strong support team is because even when you have dotted all your “i’s” and crossed all of your “t’s” there is still a great chance that someone is going to test you.

I have recently reviewed a few podcasts pertaining to entertainment law as I try to gain a better understanding of the music industry and look to pass on this knowledge to the next person.  The information I found was great.  If you are planning to take a run at the industry, then this information is definitely something worth noting. 

The first podcast I listened to was called “IP Law Concentration from the Intellectual Property Law Podcast Series by Suffolk University.  The second podcast I listened to was an Entertainment Law Update Podcast titled “No Copyright, Sherlock?” by Gordon Firemark.  The third and final podcast that I decided to check out was “Music Licensingfrom the Business, Entertainment, Sports & Technology (B.E.S.T.) Law Blog by the ARC Law Group.

With the combination of these three podcasts I have found that clear ownership of your works and products are very important.  As an aspiring artist you should know the difference between a copyright and trademark.  A copyright is a form of protection for original works of authorship.  A trademark is a shorthand description of your brand, which identifies and distinguishes the source of the goods of one party from those of others.  In short, a copyright protects your work whereas a trademark protects your brand. 

What I also found in my research is that intellectual property has significant importance to our economy and this shows as the U.S. Supreme Court now looks at cases involving IP law.   

If you do the research you will find that a lot of the inventions and products we use today do not give credit to the original creator.  “Why is this?” you ask.  This is because the original creator was either taken advantage of or their idea was stolen.  This is something that has been happening for centuries.  And you can trust and believe me when I say that it is still happening in 2014.

This entertainment business can be shady at times, so make sure that you’re not left standing alone in the dark.




Monday, January 20, 2014

Missing: The African American Family on Sitcom Television


            As you flick through the many television stations or channel surf during the commercial breaks of your favorite television shows you may notice that something or someone is missing.   Primetime televsion has not lost any of the anticipated evening hype long since the days of Bewitched, Gilligan’s Island, and Mash, but it has lost something.  Televsion has come far in the last 60 years, but it has also taken large strides backwards.  African Americans are only 13.1% [3] of the US population, but now play an even smaller role in prime time television programming. African American sitcoms have been in existence since the early days of network sitcom programming rising to prominence in the 1990’s, but recently the major networks have been under fire for failing to portray racial diversity of real world settings.  There is an absence of the African American family in major network primetime programming without any reason or justification given by the major networks. 

            Some television executives may argue the fact that the reason for the lack of African American sitcoms is because it is hard to portray the typical African American family. Other critics may see these shows as “black” sitcoms losing the show’s mass appeal to white America. Regardless of some opinions there are no African American sitcoms on any of the major networks (NBC, ABC, CBS, and FOX).   Are these opinions and beliefs true?  Are these sitcoms too stereotypical?  When you watch “The Big Bang Theory” do you think to yourself that you are watching a “white” sitcom? When you tune into “The Game” on cable’s BET network do you feel like you are watching a “black” sitcom? African American sitcoms used to be about African Americans being people, but as of lately they are about African Americans being African Americans.  Nowadays African American television shows have almost become so stereotypical that even some blacks do not watch some of these sitcoms.  On the flipside, some blacks see some of the African American sitcoms as too “white” of a sitcom missing the reality of the hard working middle class black family.  Either way you look at it writers are having a tough time creating a realistic African American family sitcom and the major networks are not even considering the their options.  Sitcoms like “The Bernie Mac Show” and “My Wife and Kids” were the last sitcoms to air on the major networks with some success; which was over five years ago.

            Cable channels do offer a small selection of African American sitcoms, but only one appeared on any of the major networks this year. “The Cleveland Show” appeared on FOX, which was a cartoon and canceled in May of this year. [2] You can find a few African American sitcoms on cable channels like BET, TV One, and Centric, but without the backing and promotion that the major networks have these shows go unnoticed at times and often add to the debate of being too stereotypical.  This is how a show like Tyler Perry’s “House of Payne” surpasses “The Jeffersons”[4] and becomes the longest running African American sitcom in US history, but no one can name any actors from the show

            While African Americans are losing their star power in sitcom television “Reality” television is steering television in a totally different direction.  With the uprising of reality television, sitcoms are on the decline and African Americans are finding even slimmer opportunities for sitcom stardom.  In the last decade television sitcoms have been in decline when compared to prior decades making the sitcom itself less attractive to television executives.  Reality television shows have increased to 57% of all television shows [3] ultimately lending a helping hand in taking away from some of the already scarce opportunities for the African American sitcom.   However, as of recently the sitcom is making its way back to primetime programming with shows like “How I Met Your Mother”, “Modern Family” and “The Big Bang Theory” leading the way.  Now is the time for the grand return of the sitcom…subject to blackout. 

With the recent popularity of sitcoms, the lack of the African American sitcom is still evident in the schedule last fall for the major networks.  Last summer, TV Guide previewed forty-five new shows premiering on the major networks and while blacks have found a few roles on these shows there was not one African American sitcom listed.  While African Americans are becoming familiar with the term “always a bridesmaid, never a bride” when referencing themselves in sitcoms other minorities such as women and gays both have sitcoms either currently running on television or soon to premiere. Whether you are a woman, a Latino, an African American, or gay you are a minority and that means that you are a part of a population differing from others in some characteristics and often subjected to differential treatment.  However, at a time when our President is African American and blacks feel more liberated than ever why is there less African American sitcoms on the major networks than there was during the Jim Crow era.

Money.  Money is typically always found at the root of all evil.  As the major networks chase the younger viewers for their uninhibited spending these viewers become more and more attractive to advertisers who behind the curtains run the show for networks.  Rosa Parks may have fought for the right to not have to sit in the back of the bus, but African Americans are taking a back seat in major network programming.  Network executives are chasing the money and following the demographic it leads to thus making primetime television whiter and mainstream even as the minority is slowly becoming the majority. 

            As the struggle continues for African Americans on and off the screen the issue of “What killed the black sitcom” is relevant and this issue of scarcity of African American family sitcoms on the major networks has been receiving attention from multiple Civil Rights groups including the NAACP.  Nevertheless, before we pull the plug on the African American sitcom Brande Victorian, writer for Madame Noire, in a 2012 article titled “Can We Ever Get The Black Family Sitcom Back” says it best:

By no means should we give up on putting together strong representations of black families in sitcoms today, but they need to be contemporary and they need to come out from under the shadow of “The Cosby Show,” “The Jeffersons,” “What’s Happening,” and “Good Times.” Those shows were genius because they spoke to their era, we need to do the same in 2012. We can prove that two parent homes exist, we can show that blended families don’t have to mean mess custody battles and unpaid child support, we can show that black families adopt. There are a lot of modern positive examples of black life, what we need are innovative writers and producers who can paint that picture in a way that’s relatable and inspirational.






References
           
1.  Anhoward.wordpress.com/the-effect-reality-tv-is-having-on-us-shocking-statistics.  Retrieved June 5, 2013.

2.  Hinckley, David (May 13, 2013). "Fox announces 2013-14 fall schedule, which includes return of Kiefer Sutherland's '24'". NY Daily News. Retrieved June 9, 2013.

3.  Quickfacts.census.gov/qfd/states/00000.html Last revised, June 6, 2013.  Retrieved June 7, 2103.

4.  Top 40 longest-running black sitcoms. Last revised June 20, 2013.  Retrieved June 21, 2013, from http://en.wikipedia.org/wiki/Black_sitcom#Top_40_longest-running_black_sitcoms

5.  Victorian, B. (2012).  Can we ever get the black family sitcom back?  Madame Noire.  Retrieved June 23, 2013, from http://madamenoire.com/172103/can-we-ever-get-the-black-family-sitcom-back/